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There have been many inquiries as to who the model was and why Francisco De Goya chose to display this controversial painting during the Spanish Inquisition; both questions remain unanswered. Some speculate that the nude woman is the mistress of Manuel De Godoy, Duke of Alcudia, who the painting was first recorded to have belonged to. Another theory is that the model was Pilar Teresa Cayetana, Duchess of Alba, who it was said was at times romantically involved with De Goya. His portrayal of the gaiety of the Madrid's majas life has been held in high regard, both for the dexterity and picturesque quality of the productions. The provocative look on the maja's face continues to mesmerize people to date. The drama created due to the stark black background in contrast to the white foreground adds a touch of mysteriousness as well as captivate, almost as if the woman will come to life any minute.
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Naked Maja, 1797-1800 by Francisco Goya
Nude Maja by Francisco de Goya
The Nude Maja was the first in a two painting series, the second of which was The Clothed Maja, respectively. It is said to be the first painting in which female pubic hair is visible, making it totally profane at the time. Many art historians agree that the model was a compilation of many female figures. It portrays a nude woman reclining on a bed of pillows, and was probably commissioned by Manuel de Godoy, to hang in his private collection in a separate cabinet reserved for nude paintings. Goya created a pendant of the same woman identically posed, but clothed, known today as La maja vestida The Clothed Maja ; also in the Prado, it is usually hung next to La maja desnuda. The subject is identified as a maja based on her costume in La maja vestida. The painting is renowned for the straightforward and unashamed gaze of the model towards the viewer.
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La Maja Desnuda (The Nude Maja)
More from Francisco de Goya. Francisco Goya was known for his scandalously explicit works, which often took the form of social commentary La Maja Desnuda, Desnuda meaning naked , was essentially 18th century pornography. The painting hung in the home of Manuel Godoy, Prime Minister of Spain, and a man known for his enormous penis. The painting was mounted directly behind a G-rated painting of the same woman, now called "The Clothed Maja".
On 16 March the tribunal of the Inquisition issued a subpoena for Goy appear, "that he might acknowledge and declare the works to be his, why he created them, at whose request and to what end. His reply, if any, remains unknown. Though the canvases have aroused the curiosity of numerous scholars, the Inquisition's questions remain unanswered since the early nineteenth century We do not know who commissioned the paintings. Research focused first or the duchess of Alba, who had presented to Manuel Godoy, for his private study, Toilet of Venus of Diego Velazquez as well as a sixteenth-century Italian school Venus.